The progressives become the overwhelming focus in “Music: A Subversive History,” a major plunge into the under-investigated lives of the visionaries who twist the foundation toward their sound. People state people need an upheaval? People prize performers for ability and appeal, yet it’s creativity—new methodologies, new instruments, new sounds—that put Bach, Beck, Bjork, and Beethoven on the guide. What’s more, it doesn’t generally turn out well toward the start. The early audits of Beethoven were strongly negative. The primary audits of their Eroica orchestra, as Ted Gioia relates in theirRead More